
Leading up to Sunday’s Academy Awards telecast, more attention has been paid to the lack of diversity in the acting contenders than in the performances of the nominees themselves. And no single film will challenge the record of 11 wins shared by “Ben Hur” (1959), “Titanic” (1997) and “The Lord of the Rings: Return of the King” (2003).
That doesn’t mean, however, there isn’t plenty of drama surrounding the biggest night in the movie business. Here are the Daily News’ picks:
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COURTESY TWENTIETH CENTURY FOX"The Revenant" is riding a wave of momentum, with awards from the Directors Guild of America and at the BAFTAs. It may also signal the big award, finally, for Leonardo DiCaprio. |
Best Picture
“The Big Short”
“Spotlight”
“The Revenant” — Just a few weeks ago, the spotlight seemed to be on “Spotlight” as the front-runner for best picture, but “The Revenant” has since come in out of the cold. The intense survival saga about real-life trapper Hugh Glass has caught major momentum with nods from the Directors Guild of America and at the BAFTAs, Britain’s equivalent of the Oscars. The box office hit has earned $165 million since opening Christmas Day.
“Bridge of Spies”
“The Martian”
“Room”
“Mad Max: Fury Road”
“Brooklyn”
Best Director
Adam McKay, “The Big Short”
Lenny Abrahamson, “Room”
Tom McCarthy, “Spotlight”
George Miller, “Mad Max: Fury Road”
Alejandro González Iñárritu, “The Revenant” — It’s another feather in the cap for Iñárritu, who won last year for “Birdman.” The Mexican-born filmmaker would be the first director to nab back-to-back statuettes since Joseph L. Mankiewicz managed the feat with “A Letter to Three Wives” and “All About Eve” in 1949 and 1950.
Best Actor
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant” — Consider this as much a lifetime achievement award for a perennially snubbed talent as it is an honor for his dialogue-sparse performance in the best picture front-runner. But DiCaprio also got points from voters impressed with the hellish conditions he endured to shoot the movie in the frigid Canadian tundra.
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”
Best Actress
Cate Blanchett, “Carol”
Charlotte Rampling, “45 Years”
Brie Larson, “Room” — The 26-year-old has dominated awards season and critics’ lists with her performance as a kidnapped mother trying to give her son a sense of normalcy in captivity. Larson already has a Golden Globe, a BAFTA and a SAG Award on her mantle, and is considered a slam dunk by prognosticators.
Jennifer Lawrence, “Joy”
Saorise Ronan, “Brooklyn”
Best Supporting Actor
Christian Bale, “The Big Short”
Sylvester Stallone, “Creed” — Hollywood loves a comeback story, on and off the screen, and Stallone put forth a heavyweight performance as the aging former champ in this Rocky spinoff. Still, it’s noticeable amid the uproar over the lack of diversity at the Oscars that the only nominee in one of the most inclusive movies of the year wasn’t its black director (Ryan Coogler) or lead actor (Michael B. Jordan).
Mark Rylance, “Bridge of Spies”
Mark Ruffalo, “Spotlight”
Tom Hardy, “The Revenant”
Best Supporting Actress
Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Kate Winslet, “Steve Jobs”
Alicia Vikander, “The Danish Girl” In the most wide-open of the major categories, the Swedish actress has delivered arguably the best overall performance of the year. Though co-star Eddie Redmayne had the showier turn as transgender pioneer Lili Elbe, Vikander more than held her own as the landscape painter’s fiercely loyal wife, Gerda.
Best Animated Film
“Anomalisa”
“Inside Out” — It’s hard not to be animated about the chances of this Pixar masterpiece, which was the highest-profile nominee at the box office and strong enough to notch a best original script nomination.
“Boy & the World”
“Shaun the Sheep Movie”
“When Marnie Was There”
Best Original Screenplay
“Spotlight” — Fittingly enough for a movie about ink-stained scribes, the real heroes behind this tale are screenwriters Tom McCarthy and Josh Singer.
“Inside Out”
“Ex Machina”
“Bridge of Spies”
“Straight Outta Compton”
Best Adapted Screenplay
“The Big Short” — The stock is rising on this pick, thanks to Adam McKay and Charles Randolph’s deft job in turning Michael Lewis’ book into a comedic yet chilling look at the 2008 financial crisis.
“Carol”
“Room”
“The Martian”
“Brooklyn